Featured image of post Some Bust

Some Bust

One day down. After a couple lectures about the oil painting process, we practiced by drawing a plaster bust. The models will arrive on Wednesday.

The method they’re teaching is very meticulous, essentially the same as the Bargue drawings I was doing a while back, but one thing that surprised me is that we’re doing all our drawing/painting about 8 feet away from the easel! What that means is the canvas is aligned with the subject. We step back and use a piece of string to measure and plot the location of various features. We walk up to the canvas, make a mark, walk back and check to see if the mark is in the right place.

The upshot of this tedious, non-creative process is that you end up with an image that’s a perfect copy of what you’re seeing, and if the canvas is aligned with the subject, the copy is also exactly the same size as the real thing. It’s kind of like a reverse-engineered photo. And if you get this part right, most of the hard work involved in getting a likeness is done.

So, we’ll have 3 days with the model to get this part done, plotting points and delineating highlights and shadows. Then next week, painting begins.

Featured image of post Plane Tuckered Out

Plane Tuckered Out

Couldn’t sleep on the plane, so I pulled out my iPad and started painting this classic photo of Ariana. I applied some of the concepts from an oil painting handbook recommended by the teacher of the class that I start tomorrow. I might come back to this after I’ve actually been through the class.

Featured image of post Speecy Spicy!

Speecy Spicy!

I haven’t even left for Florence, and I’m already an expert on Italian culture.

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